In what ways does your media product use, develop or challenge forms and conventions of real media products?Music videos within the acoustic/blues/indie genre usually use performance, narrative or music videos with a narrative concept containing elements of performance. As my music video is a narrative with elements of performance it could be considered to conform to conventions associated with acoustic/blues music.
Colbie C
ailat,’s, an acoustic artists video’s also comply to conventions and utilize stereotypes within the acoustic genre. One that I researched before creating my music video was ‘Bubbly’.
Colbie C
ailat features in this narrative video which shows her in both the narrative and performing through lip syncing and playing the guitar. This is similar to my video as my protagonist lip sync’s throughout the video in between the narrative. Narrative based videos are the less common of the three categories and so in a sense I am developing the convention. The music video ‘9 crimes’ by the acoustic artists Damien Rice is again a performance based video containing a small element of narrative. Exploring these videos in depth, I realised that a performance/narrative video would best suit my genre also studying the video’s and artist’s named I was able to apply and utilise the correct
mise-en-scene to create an authentic feel to my music video. The narrative concept applied to my video initially appears to be a generic love story. This conforms to ideas and themes within the acoustic/blues genre. incorporating
Todorov’s theory of there being five stages of a narrative I created a boy-girl love story, however, my music
video develops this theory as instead of the conventional linear narrative, I create a twist to my ending by reversing time and engaging the audience as this would not be expected. Also I challenge the idea of a the typical love story by presenting the girl as emotionally unconnected and the man sad, lonely and chasing the woman through this incorporating the post modernist view of challenging stereotypes.
I decided to include aspects of Goodwin’s theory by creating a clear relationship connecting the lyrics and visuals. Within the narrative it say’s “every time you go” showing the female protagonists leaving.
Also I challenged conventions through the use of costume. Acoustic artist’s Stereotypically appear messy and
unkept, with the examples of Damien rice and James blunt, yet I decided to dress my male protagonist in jeans a t-shirt and a
hoody stereotypical of a young man also at points he appears in a scruffy t-shirt and pyjama bottoms to display the contrast between the narrative and flashbacks and to display his mental state .
Magazine Advert: my magazine advert conforms to the conventions of real media products through applying a stereotypical use of band/artist name, name of single, date due out and ratings from music based magazines such as “Q” and “NME” . Typical to James Morrison's “Songs For You, Truths For Me” I use orange and dull tones to make the artist appear more prominent. Challenging the conventions of magazine adverts where generally the artists name would appear larger than the single’s name, I reversed this making the single’s name larger in a red font and the artist name longer, yet still large, however longer in a bright yellow font so initially the public see the most important elements of the advertisement.
CD cover: like magazine adverts, the CD cover is designed to sell and represent the artist and the genre of the music they produce. Typical to similar artists my single cover contains images of the artist central the photograph in obscure colouring such as James Blunt 'Back to Bedlam” and James Morrison “Wonderful World” my digipak ‘sell’s my artist as he is central to the cover and the dominant image. The back panel consists of the track list, barcode and image right of the cover. This allows the audience to relate to the artist through visual imagery and assists the audience in finding specific tracks. Challenging the conventions of a typical acoustic single back panel like those of Damien Rice, James Morrison and James blunt never appear on the back panel of their singles but obscure images and colours relative to the front panel.